It’s my favorite time of the year: yes, in addition to the holidays being in full swing, it’s also time to play Roger Ebert (R.I.P.), and list my favorite movies of the year. It’s a subjective list: these are movies that I thoroughly enjoyed. Why? I explore why below. Also, take a stroll down memory lane and recall my favorite movies from 2010, 2011, 2012 and 2013. I’ve been doing this for five years now!
The Other Woman. This is the comedy I enjoyed the most this year. It was a revelation to see Cameron Diaz, after Bad Teacher, prove herself once again to be a talented comedienne. And speaking of revelations, Nicki Minaj! Who knew she could be so convincing as a sassy New Yorker?? The plot took twists and turns that I didn’t see coming, so it really wasn’t your typical romantic comedy. The ending was unexpected and satisfying, and all throughout, there were plenty of laughs.
Begin Again. I’ve already written about how this movie, about a young musician who partners with a grizzled music industry vet to produce a record on the fly, dovetailed nicely with my life this summer. So there is a personal reason why it finds a place on my best-of list this year. But beyond the personal, it is a good movie for anyone who enjoys good music but may not think of themselves as a fan of movie musicals. Like the movie above, this one has a feminist angle about striking out on your own. A lovely little gem of a movie.
Boyhood. This movie is currently ending up on many critics’ top ten lists. Will a backlash be inevitable? I think there already has been a bit of a backlash. Yes, the movie is innovative, but what makes it great is not just the way it was filmed- a few days each year for 12 years, chronicling one boy’s physical maturation- although that is certainly part of its charm. I found the first half of Boyhood to be more moving than the second half. The bits and pieces we see from each year of Mason’s life are the moments that anyone remembers from childhood, whether it be a memorable trip to the ballpark with Dad, or the first day at a new school. Boyhood strings together moments that together make up one young man’s youth, and the movie is made much better by the participation of the under-rated Ethan Hawke and Patricia Arquette.
Gone Girl. This is the rare movie that is just as good, if not better than, the very good book it was based on. David Fincher was the perfect choice to direct the adaptation of Gillian Flynn’s page turner. It’s got his trademark somber color palette, a moody soundtrack by Trent Reznor, and an amazing performance by Rosamund Pike in the title role. The movie is expertly paced, and even if you know what’s coming, you’ll be on the edge of your seat.
La Dictadura Perfecta. If you’re outside of Mexico, I’m not sure if you’ll be able to see this subtitled in your local arthouse theater. It may be available soon on Netflix; I saw El Infierno, by the same director, on Netflix last year. It’s a very Mexican film about a very Mexican subject: corruption. The plot is ripped from the headlines- a small-time governor uses the help of a certain major television company to boost his image. The audience here in Mexico chuckled along at the all-too-familiar plot lines, and the movie was well-plotted and well-acted. I also appreciated seeing telenovela staple Saul Lisazo as a smarmy TV news presenter. There’s a reason the movie was such a hit with Mexican audiences. It strikes a nerve.